The power of passion and curiosity, a subject I always wanted to write about. Incidentally, the desire to do so, first emerged during my stint in Japan, quite some time ago. But having months of transition behind me and needing to lay out my future anew now, it resurfaced and I suddenly felt the urge to finally write it down. Long enough it has been sitting in the back of my head …Continue reading
After my first stint into Japanese history with the article about the Shimabara Rebellion, this article I like to devote to Hasegawa Nobutame (長谷川宣以・はせがわのぶため; 1745-1795), a historic figure of the same era, the Edo Period (江戸・えど; 1603-1868). The name Hasegawa Nobutame might not ring many bells because in Japan he is more commonly known by the name of Hasegawa Heizou (長谷川平蔵・はせがわへいぞう), or his alias Onihei (鬼平・おにへい).
If I had posted this about a week ago, it would have been the turkey, but now it’s just a rest of gravy. Nonetheless, I like to write an article about it, as it represents a part of Japanese history that is very fascinating to me. The talk is – as the above trailer gives away – Martin Scorsese‘s (マーティン・スコセッシ; The Departed, The Wolf of Wall Street, Gangs of New York) latest work and pet project with the adaption of ‘Silence’. A movie based on the best-seller novel of Endou Shuusaku (Shūsaku Endō; 遠藤 周作・えんどう しゅうさく; Japanese author from March 27, 1923 – September 29, 1996) by the same name, published in 1966, revolving around Christianity in Japan.
In this post I talk about the Shimabara Rebellion (島原の乱・しまばらのらん) that took place in Japan in the years of 1637-38, pretty much at the beginning of the Edo Period (江戸時代・えどじだい; from 1603-1868), my favorite era in Japanese history. This is going to be my first historical article on MyLittle Dejima and I am happy this particular topic marks the starting point of my journey💓. I hope to be able to write more about historical accounts in the future and to share my findings with readers on this blog. Conducting research 📚🔬 was one of the main purposes in setting up this page and it is my hope that you will find the results of my first work interesting. Here we raise the curtains: