A few months ago, back in October 2016, I posted the first version of this article, however, a change corrupted some of the settings😤 and it’s no longer appearing properly on Google (sigh, technology 😩!), which lead me to post this again. Might have been a WordPress glitch, but I hope the new article stays unaffected. The former article I left as is though, as some visitors might still strand there (see Edition History on the bottom⬇). The main content remains mostly the same except for some minor editing. Well, here we go again🏃💨!
If I had posted this about a week ago, it would have been the turkey, but now it’s just a rest of gravy. Nonetheless, I like to write an article about it, as it represents a part of Japanese history that is very fascinating to me. The talk is – as the above trailer gives away – Martin Scorsese‘s (マーティン・スコセッシ; The Departed, The Wolf of Wall Street, Gangs of New York) latest work and pet project with the adaption of ‘Silence’. A movie based on the best-seller novel of Endou Shuusaku (Shūsaku Endō; 遠藤 周作・えんどう しゅうさく; Japanese author from March 27, 1923 – September 29, 1996) by the same name, published in 1966, revolving around Christianity in Japan.